I am looking for investors for my military series Operation Home Base. OHB intertwines the challenges military personnel face with those of their families. This is not an Army Wives or reality show, but an accurate portrayal of military life. The show intertwines drama and suspense with comedy to tell the stories of active duty, vets, and wounded warriors along with those who love them. It is designed to build a bridge between the civilian population and the military.
Operation Home Base is fictional non profit organization that gives support to military families, veterans, wounded warriors, and active duty military personnel by working with existing programs and organizations. OHB works in partnership with the bases’ Dependent Centers to give aid and comfort to military personal and their families while acting as intermediary not only with other military agencies but with the civilian services. Staffed with active duty and retired military personnel along with civilians, OHB was created by the combined branches of the services to take care of their own. It is pilot program, which is designed to build a bridge between the civilian population and the military. Their single goal is to fill the voids left by governmental agencies who are unable provide the necessary services and support for all branches of the military.
It will be shot in Michigan, which will qualify it for the 40-42% incentives offered by the state. Those who are interested may call me at 231-943-3298.
Showing posts with label Drake Hogestyn. Show all posts
Showing posts with label Drake Hogestyn. Show all posts
Tuesday, September 08, 2009
Saturday, July 11, 2009
Operation Home Base Pilot Episode
OPERATION HOME BASE
Operation Home Base is non profit organization that gives support to military families, veterans, wounded warriors, and active duty military personnel by working with existing programs and organizations. OHB works in partnership with the bases’ Dependent Centers to give aid and comfort to military personal and their families while acting as intermediary not only with other military agencies but with the civilian services. Staffed with active duty and retired military personnel along with civilians, OHB was created by the combined branches of the services to take care of their own. It is pilot program, which is designed to build a bridge between the civilian population and the military. Their single goal is to fill the voids left by governmental agencies who are unable provide the necessary services and support for all branches of the military.
To read the treatment go to www.theresachaze.com
Suggested Cast:
Deacon (Deek) Williams: Tom Selleck
Martin Flying Crow: Graham Greene
Randi Cullen: Alyssa Milano
Michael Woodsman: Drake Hogeston
Lorelei Stewart: Gloria Loring
Elaine Reynolds: Deidre Hall
Walter Hummel: Alan Alda
Operation Home Base Pilot Episode:
Acting as a representative for the branches of the military and the federal government, Walter Hummel approaches the founders of Operation Home Base with an offer of economic and logistic support as well as political influence. Although Martin Flying Crow doesn’t trust Hummel, he is unwilling to deprive the armed service personnel and their families of the badly needed support. However, once the paperwork has been signed, the committee realizes that they may have gotten more than they bargained for. Immediately they are called to service. Dishonorably discharged and accused of raping a local teenager, ex marine, Ken Thompson, is found dead in his parents home. The deputy sheriff in charge suspects the Gunnery Sergeant and his wife are responsible for the murder of their son The OHB’s new legal adviser and the government advocate with the help of the NCIS team not only exposes the ulterior motives of the deputy, but also truth behind the death of the much hated man
To read the pilot episode script please email me at Tirgana@yahoo.com
Operation Home Base is non profit organization that gives support to military families, veterans, wounded warriors, and active duty military personnel by working with existing programs and organizations. OHB works in partnership with the bases’ Dependent Centers to give aid and comfort to military personal and their families while acting as intermediary not only with other military agencies but with the civilian services. Staffed with active duty and retired military personnel along with civilians, OHB was created by the combined branches of the services to take care of their own. It is pilot program, which is designed to build a bridge between the civilian population and the military. Their single goal is to fill the voids left by governmental agencies who are unable provide the necessary services and support for all branches of the military.
To read the treatment go to www.theresachaze.com
Suggested Cast:
Deacon (Deek) Williams: Tom Selleck
Martin Flying Crow: Graham Greene
Randi Cullen: Alyssa Milano
Michael Woodsman: Drake Hogeston
Lorelei Stewart: Gloria Loring
Elaine Reynolds: Deidre Hall
Walter Hummel: Alan Alda
Operation Home Base Pilot Episode:
Acting as a representative for the branches of the military and the federal government, Walter Hummel approaches the founders of Operation Home Base with an offer of economic and logistic support as well as political influence. Although Martin Flying Crow doesn’t trust Hummel, he is unwilling to deprive the armed service personnel and their families of the badly needed support. However, once the paperwork has been signed, the committee realizes that they may have gotten more than they bargained for. Immediately they are called to service. Dishonorably discharged and accused of raping a local teenager, ex marine, Ken Thompson, is found dead in his parents home. The deputy sheriff in charge suspects the Gunnery Sergeant and his wife are responsible for the murder of their son The OHB’s new legal adviser and the government advocate with the help of the NCIS team not only exposes the ulterior motives of the deputy, but also truth behind the death of the much hated man
To read the pilot episode script please email me at Tirgana@yahoo.com
Friday, January 23, 2009
Jeffrey Immelt, Jeffrey Zucker, Michael Lynton, Ken Corday
Ken Corday
Gary Tomlin
Dena Higley
Corday Productions
818-840-4968
NBCUNI.COM FEEDBACK
100 Universal City Plaza
Universal City, CA 91608
212-664-4085
Sony Pictures Entertainment
12102 West Washington Blvd
Culver City, CA 90232-3195
(310) 244-2626
Many writers see themselves as God-almighty when it comes to the projects they work on. They control the motivation, the actions and the outcome from the first page to the last. In novels, this is true, but only if there is a sole author. When it comes to film and television, every project is a collaborative effort.
Writers who step into an existing show need to play catch up. No matter how much outside research she or he does, the actor who has lived in the role will be the best asset the writer can have. However, the reverse is also true. A new writer can breathe fresh air into a show, giving it new life and inspiration. By bringing in a new perspective, the writer can give new twists to old plots and help the actors develop additional depth to their characters by opening new challenges. There needs to be a balance between the past and the future in order for the show to stay imaginative and original from episode to episode--year to year. As long as a show remains balance by being inventive, while honoring its history and keeping the egos in check, it will be able to keep its fan base happy; thereby continuing its success
Betty Corday and Irna Philips created a show that was based on romance, suspense, drama and comedy. They valued the creative effort of both the cast and crew. Betty's motto, "Don't lie to the fans; Respect your talent" was one of the main pillars that made Days an icon in television history, as was Irna's steadfast determination to create the best show possible. These two women created a genre by not accepting less than the best; they bucked the system and convinced the networks to see it their way. Not only were they were able to invent a financially profitable product that lasted for decades, but they also did so in such away that the fans stayed loyal from generation to generation.
In the past two years, you have managed to destroy everything they created. You have turned Days into nothing more than soft porn. The fans didn't just leave; you drove them away with the endless triangles, lack of real story telling, and the gutting of the established characters. Instead of focusing on the veteran actors and established characters, you created new characters that were poor written. Most high school plays are not only better produced, but also have higher quality of talent than the new actors you have brought in. Let's face it your writing staff couldn't write themselves out of wet paper bag with Freddy Krueger's help.
Like most soap fans, I started watching because of my mother and grandmother. When Dark Shadows was cancelled, she switched to Days and Another World. Even when I worked at an ABC affiliate, I would record and watch both shows. When NBC cancelled Another World, I stopped watching NBC except for Days. The firing of Dee and Drake was the last straw. Not only am I done with Days, but NBC as well. The only demographics the show still appeals to are teeny-boppers and high school drop outs that have pie in the eye dreams of marrying a millionaire even though they can’t put a coherent simple sentence together. Neither of which has the buying power to sustain or attract a profitable commercial sponsorship. You have tossed away viewers who have been loyal for decades in favor of those who are insistent and unreliable as their whims change from moment to moment--fad to fad.
When Days is cancelled in a couple of months, I will take comfort in the fact that Corday, Tomlin and Higley will be forever be remembered for the destruction of a beloved icon. Only a total moron would hired them after the hack job they did on a viable profit show.
Gary Tomlin
Dena Higley
Corday Productions
818-840-4968
NBCUNI.COM FEEDBACK
100 Universal City Plaza
Universal City, CA 91608
212-664-4085
Sony Pictures Entertainment
12102 West Washington Blvd
Culver City, CA 90232-3195
(310) 244-2626
Many writers see themselves as God-almighty when it comes to the projects they work on. They control the motivation, the actions and the outcome from the first page to the last. In novels, this is true, but only if there is a sole author. When it comes to film and television, every project is a collaborative effort.
Writers who step into an existing show need to play catch up. No matter how much outside research she or he does, the actor who has lived in the role will be the best asset the writer can have. However, the reverse is also true. A new writer can breathe fresh air into a show, giving it new life and inspiration. By bringing in a new perspective, the writer can give new twists to old plots and help the actors develop additional depth to their characters by opening new challenges. There needs to be a balance between the past and the future in order for the show to stay imaginative and original from episode to episode--year to year. As long as a show remains balance by being inventive, while honoring its history and keeping the egos in check, it will be able to keep its fan base happy; thereby continuing its success
Betty Corday and Irna Philips created a show that was based on romance, suspense, drama and comedy. They valued the creative effort of both the cast and crew. Betty's motto, "Don't lie to the fans; Respect your talent" was one of the main pillars that made Days an icon in television history, as was Irna's steadfast determination to create the best show possible. These two women created a genre by not accepting less than the best; they bucked the system and convinced the networks to see it their way. Not only were they were able to invent a financially profitable product that lasted for decades, but they also did so in such away that the fans stayed loyal from generation to generation.
In the past two years, you have managed to destroy everything they created. You have turned Days into nothing more than soft porn. The fans didn't just leave; you drove them away with the endless triangles, lack of real story telling, and the gutting of the established characters. Instead of focusing on the veteran actors and established characters, you created new characters that were poor written. Most high school plays are not only better produced, but also have higher quality of talent than the new actors you have brought in. Let's face it your writing staff couldn't write themselves out of wet paper bag with Freddy Krueger's help.
Like most soap fans, I started watching because of my mother and grandmother. When Dark Shadows was cancelled, she switched to Days and Another World. Even when I worked at an ABC affiliate, I would record and watch both shows. When NBC cancelled Another World, I stopped watching NBC except for Days. The firing of Dee and Drake was the last straw. Not only am I done with Days, but NBC as well. The only demographics the show still appeals to are teeny-boppers and high school drop outs that have pie in the eye dreams of marrying a millionaire even though they can’t put a coherent simple sentence together. Neither of which has the buying power to sustain or attract a profitable commercial sponsorship. You have tossed away viewers who have been loyal for decades in favor of those who are insistent and unreliable as their whims change from moment to moment--fad to fad.
When Days is cancelled in a couple of months, I will take comfort in the fact that Corday, Tomlin and Higley will be forever be remembered for the destruction of a beloved icon. Only a total moron would hired them after the hack job they did on a viable profit show.
Monday, November 17, 2008
Dedrie Hall and Drake Hogestyn Fired: Stand Up and Speak Out
Dedrie Hall and Drake Hogestyn Fired: Stand Up and Speak Out
One thing I've been always good as is finding things. You give me a little time and access to a phone or a computer--and there isn't anything that exists that I can't eventually find.
This is the way it lays out.
Jeffrey Zucker is head of NBC
the corporate phone number is 212-669-4444. They won't put you through, but if enough people call eventually they will take notice.
There are two fax numbers: 212-669-4426 and 212-669-5705
NBC is owned by GE who is run by Jeffrey Immelt
I haven't been able to find yet the corporate phone numbers but his house address is 705 W. Rd New Canaan Ct 06840
Sony Pictures owns part of Days
Michael Lynton is had of Sony Pictures
310-244-5722
Corday Productions
Production phone number 818-295-2820
Calling your local station will also do a little good. They do have connects at corporate.
I found three addresses for Ken Corday
1035 Santa Monica Blvd
130 LA CA 90025
10343 Valley Springs
Toluca Lake, CA 91602-2933
285 Ocean Park Blvd 300
Santa Monica CA 90405
One thing I've been always good as is finding things. You give me a little time and access to a phone or a computer--and there isn't anything that exists that I can't eventually find.
This is the way it lays out.
Jeffrey Zucker is head of NBC
the corporate phone number is 212-669-4444. They won't put you through, but if enough people call eventually they will take notice.
There are two fax numbers: 212-669-4426 and 212-669-5705
NBC is owned by GE who is run by Jeffrey Immelt
I haven't been able to find yet the corporate phone numbers but his house address is 705 W. Rd New Canaan Ct 06840
Sony Pictures owns part of Days
Michael Lynton is had of Sony Pictures
310-244-5722
Corday Productions
Production phone number 818-295-2820
Calling your local station will also do a little good. They do have connects at corporate.
I found three addresses for Ken Corday
1035 Santa Monica Blvd
130 LA CA 90025
10343 Valley Springs
Toluca Lake, CA 91602-2933
285 Ocean Park Blvd 300
Santa Monica CA 90405
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