Showing posts with label Days of our Lives. Show all posts
Showing posts with label Days of our Lives. Show all posts

Monday, August 24, 2020

Meet the Newest Days of Our Lives Villain


Messages from the Universe will be hosting actress, model, and singer/songwriter Payne Leyanne Cyrus Montgomery on August 25, 2020, :30 pm eastern as she talks about her new villainous role on the epic soap opera, Days of Our Lives. Tune in to https://www.blogtalkradio.com/messagesfromtheuniverse/2020/08/25/messages-from-the-universe or by calling (845) 241-9942 to listen to Payne Leyanne Cyrus Montgomery talk about her new role of Days of Our Lives and what is next for both.  The same number can be used to call in and speak with Cyrus.



Born raised in West Liberty Kentucky, Cyrus graduated from the Berkeley College of Music. She took modeling jobs with Allure, Cover Girl, Jadea and others to cover some of her tuition costs, She graduated with a Masters. She has written for some of the artists on the top 22 country music stars in 1998. Previously, Cyrus has appeared on TV shows such as Criminal minds, Santa Barbara, and Days of Our Lives. Recently, the DOOL producers cast her in the new mysterious villain, who will be spreading chaos as she seeks revenge on the citizens of Salem. Her scene will begin airing late fall of 2020,



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To get the inside scoop on Days of Our Lives newest villain, tune August 25, 2020 at 5:30 pm eastern to https://www.blogtalkradio.com/messagesfromtheuniverse/2020/08/25/messages-from-the-universe or by calling (845) 241-9942.




Horses and Heroes will tell veterans' stories as they work together t find new coping skills for their physical and emotional challenges. Veterans will be given priority for jobs both in front of and behind the cameras. Go to the website to learn more.

Horses and Heroes' Website

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Tuesday, March 01, 2016

Days of our Lives: Thank you for not hiring me

A few years ago, I wrote alternative storylines for Days of Our Lives and posted them on the NBC fan boards.  I was just being snarky, because the writing was so bad.  It was only suppose to be a one or two time deal. However, it turned into so much more.  Suddenly, there were people from around the world, loving what I wrote and wanting to read more.   Many promoted me the show's producers as a replacement for the head writer.  I did clean up the scripts and contacted them.  Luckily, they said a resounding "No!"  If they hadn't, I would be back writing and producing my own work.  So I am very grateful for the show's horrible writing and being turned down.  If they hadn't I would be in this amazing place in my life.

Nearly all the of the previous links to the Days' script no longer work.  Below is most of what I wrote.  However, please be aware that it is not in submission format.  There are typos and many mistakes.  I'm just sharing it for those who might be interested.

To read the storylines click here.

Here are links to my current projects.

Never Can Say Good-bye

The ghost of a murdered child bring his parents back together after they have reincarnated. He needs them to remember their lives together and forgive. If he succeeds, they will all heal and he will be freed to also reincarnate. If he fails, their need for revenge will damn them all

Elizabeth was asked by her mentor to teach a writing course at a small college. Since she never forgets a kindness, she reluctantly agrees. Arriving in town, she instantly regrets her decision. She wants to run, but she is honor bound to stay.Even as the ghost of a small child begs her to forgive, the memories of another time arouse feelings of hatred that she doesn't understand and cannot control. When she meets Shane, all of their lives are thrown onto a dangerous collision course from which they can neither run, nor can they hide. The question is, "Can they overcome their tragic past or will they be doomed to repeat it.


Never Can Say Good-bye is a Paranormal Thriller, which is comparable to Ghost, The Others, and the original Dark Shadows TV series.

Love can be a blessing or the curse that destroys an entire town.



When love is forever, death is only the beginning from Theresa Chaze on Vimeo.


Horses and Heroes

Horses and Heroes is a Realty TV series that focuses on healing rather than glorifying bad behavior.  Working with the horses helps veterans find new ways to cope with their physical and emotional challenges.  Peer Support Therapy will give them the safe, supportive environment to face their ghosts head on.   Horses and Heroes can’t get them back what they lost.  War took that person. Yet it doesn’t have to be the end of their story.  They can’t go back and make a brand new start, but they can start from now and make a brand new end.  Horses and Heroes will help veterans find the strength and courage within themselves to rebuild their lives and create that brand new end.








Upcoming:

Operation Home Base: A scripted TV drama comparable to M.A.S.H, The Waltons, and NCIS.

Spirit of a Nation: A talk show/documentary TV series about the past, present and future of horses.

Coyote Springs: A action drama feature, which is to the Magnificent Seven what the Magnificent Seven was to the Seven Samurai.

Riding Fences: A modern Day western.


There will be so many more projects.  I invite you to join our amazing ride to find adventure and love as we bring innovation, originality, and profitability back to the entertainment industry 

Wednesday, December 19, 2012

Susan Seaforth Hayes Actress and Author











Until You Walk The Path, You Won’t Know Where it Goes will be chatting with actress, author, and historian Susan Seaforth Hayes on December 20, 2012 at 1 pm eastern as she talks about her new novel Trumpet and her amazing career as well her other many interests.

Susan Seaforth Hayes, professional actress by trade, is a historian by desire. Her degree from Los Angeles City College is in history, and the stack of books on her desk reflects an intense interest in the American West, European history, art history and Native American cultures. Had she not been so talented an actress she probably would be teaching today, or writing history books.

But Susan was destined to spend her life on stage and in front of cameras. Her initial theatrical experience was at the age of four, playing “Trouble” to Dorothy Kirsten’s “Madame Butterfly” for the Metropolitan Opera Company. At age eleven she toured a year with Billie Burke in Mother Was a Bachelor; and as a developing teenager she honed her crafts in the exciting world of television: Matinee Theatre, Lassie, Eve Arden, Wyatt Earp, Loretta Young, Danny Thomas; and films: Five Pennies, Angel in My Pocket, Billy, California.







While Susan plugged away at her college studies, interspersing classes with film, TV, and stage work, she mastered comedy and drama on TV’s Dragnet, FBI, Death Valley Days, Bonanza, Hallmark Hall of Fame, My Three Sons, Fugitive, Hawaiian Eye, 77 Sunset Strip, Man from UNCLE, Wagon Train, Perry Mason, Emergency, Adam-12 and Ironside. She also gained stature in live performance on stage in Come Blow Your Horn, Mary Mary, Time Remembered and Ring Round the Moon.

When she was cast again and again in the exciting/demanding world of TV soaps Susan was finally forced to curtail her academic work. Young Marrieds (2 yrs), General Hospital (1 yr), The Young and the Restless (5 yrs), Sunset Beach and forty years plus on Days of our Lives. All this drama put a serious dent in her classroom attendance record. The sudsy genre produced four Emmy nominations, several Best Actress Awards, a Time Magazine cover, many years of Top-Ten Lists in fan-mags, and even a husband, when in 1974 Susan Seaforth married her Days co-star Bill Hayes.



Some of her activities which have not involved performing have included serving on the board of the Screen Actors Guild, addressing the House Judiciary Committee, and the Republican Platform Committee, docenting at the Autry Museum of Western Heritage, and serving as an Elder and Board Member of the First Christian Church of North Hollywood. She has also lectured at Los Angeles Valley College (on Native American religions) and Boston University on acting for television.

The sweep of her credits in film, stage and television include Oklahoma, The Two of Us, I Do I Do, Same Time Next Year, Harvey, Matlock, Heartbeat, Dream Machine, Wrestling with God, 42nd Street, Social Security, Mame and a 1993 13-week tour of Oliver in Florida, Singapore and Kuala Lumpur! In the 90s, Susan wowed Birmingham audiences with her “Mama Rose” in Gypsy, toured Love Letters extensively, played the wily “Mrs. Rubinstein” on TV’s Platypus Man, and charmed West Virginia Public Theatre fans in A Christmas Carol and Cinderella.

In 1997, Susan co-starred in the premiere of Bernard Slade’s sequel play Same Time Another Year; in the spring of 1999, she created the role of “District Attorney Steele” on NBC-TV’s Sunset Beach. In 2007 she sang “I’m Still Here” in Follies and added then added Funny Girl to her credits in 2008.



Her memoir, Like Sands Through the Hourglass, was published by Penguin-Putnam in 2005, and enjoyed robust sales. Currently she is polishing her first historical novel, soon to be released by Decadent Publishing. And, yes, she continues to add her personal spice to the role of “Julie” on Days of our Lives (over 3,000 episodes!).

Hayes' Websites:

www.billandsusanhayes.com

https://www.facebook.com/pages/Bill-and-Susan-Hayes/333110030046326?ref=ts&fref=tshttps://www.facebook.com/pages/Bill-and-Susan-Hayes/333110030046326?ref=ts&fref=ts

Twitter: @DaysHayes

Tune into http://www.blogtalkradio.com/theresachaze on December 20, 2012 at 1 pm eastern to listen to Susan Seafoth Hayes share her experiences as an author, actress and wisdom seeker. The phone lines and chat will be available for those who wish to ask questions. The phone number is (347) 838-9927.

The interview will be available in the archives at

http://www.blogtalkradio.com/theresachaze/2012/12/20/until-you-walk-the-path-you-wont-know-where-it



TRUMPET

Brilliant and sassy Elizabeth Trumpet fantasizes starring on the London stage, but to become an actress in 1803 is tantamount to losing her virginity in the most debasing way.

After watching her mother die and her father lose his mind, the courageous sixteen-year-old must find a way to save her family. She scores her first acting job as a fencer—the deadly skill she learned from her brother training for the military. Blessed with talent and a rare singing voice, Lizzie pursues her career, learning from theatrical characters high and low.

When reckless actor Jonathan Faversham sets eyes on Miss Trumpet, he knows he’s found the partner of his life. But Faversham carries ruinous baggage from a dark past. Entangled in lust and ambition, Lizzie gives him her heart and they reach the heights together. Until Lizzie gets more applause than he…

From the magnificence of Regency palaces and the Theatre Royal Covent Garden to the sun-baked pyramids of Egypt and the arms of a real-life Samson, Lizzie is never far from trouble. As her brother rides to glory with Wellington in the Napoleonic Wars, great events threaten her survival. Danger lurks behind stage curtains, when a madman sets fire to take her life and she lifts a sword in revenge.

Will this once innocent girl, with her rise to stardom, be remembered for her art? Or for her shame?

Wednesday, November 07, 2012

Interview with Days of Our Lives Star Bill Hayes


 





 





Until You Walk The Path, You Won’t Know Where it Goes is hosting actor, singer, and author Bill Hayes on November 8, 2012 at 1 pm eastern as he talks about his new novel Trumpet and his amazing career.
Best known as Doug Williams on the long running soap opera, Days of Our Lives, Hayes career includes credits in Vaudeville, Broadway, film, television, music and best selling author.



BILL HAYES burst onto the national television scene in Olsen & Johnson’s 1949 madcap series Fire-Ball Fun-for-All. From there he was tapped to be a featured singer on Your Show of Shows starring Sid Caesar and Imogene Coca (1950-1954).


  















Hayes debut on Broadway in Rodgers & Hammerstein’s Me and Juliet (1953-1954), and followed with a gold record for “The Ballad of Davy Crockett” (over 4,000,000 sold; still selling!), voted Best Record of 1955. He starred in the feature films: the Warner Bros. farce Stop! You’re Killing Me (1953), Otto Preminger’s The Cardinal (1963) and the award-winning Wrestling with God (1989). He was national spokesman for Oldsmobile for four years (1956-1960) and took Bye Bye Birdie on its one-year national tour (1961-1962).

His early career glittered with variety TV performances, including: Kate Smith (1956, 13 episodes), Ed Sullivan (1953), Perry Como (1955), Milton Berle (1955), Ernie Kovacs (1956-1957, 19 episodes), Patti Page (1957, 6 episodes), Jo Stafford (1958), Jack Paar (1957), Bing Crosby (1958), and the Bell Telephone Hour (1959 & 1960), et al. In addition to singing and dancing, he starred as a straight actor in such dramatic shows as U. S. Steel Hour (1957), Hallmark Hall of Fame (1957 & 1958), Carol Burnett’s Once Upon a Mattress (1964).


His 65-year career has also included vaudeville turns at the Chicago Theatre (1951 & 1955) and New York’s Roxy (1953); and cafés such as the Blue Angel (1950) and the St. Regis Hotel in New York (1958 & 1959), the Drake Hotel in Chicago (1961), and the Fontainebleau in Miami (1954)
.
Theatre tours included Student Prince, Anything Goes, Camelot, On a Clear Day, Pajama Game. And, in addition to the Broadway revival of Brigadoon (1968), Bill’s considerable regional theater appearances included On the Town, Of Thee I Sing, Merry Widow, Miss Liberty, Music in the Air, Tree Grows in Brooklyn, South Pacific, Out of This World, Fanny, Dark of the Moon, Good News, Oklahoma!, Girl Crazy, Who Was That Lady?, Where’s Charley?, Foxy, Sunday in New York, Green Grow the Lilacs, She Loves Me, Moon is Blue, Fantasticks Carousel, Song of Norway, Desert Song, Guys & Dolls, and George M! His list totals over 100 musicals and 30 straight plays!



Since 1970, Bill Hayes has portrayed “Doug Williams” on NBC’s Emmy-award-winning Days of our Lives (2,027 episodes to date!), garnering two Emmy nominations and several Best Actor Awards along the way.

Bill also appeared as a regular on Hollywood Squares and as a talk-show guest with Johnny, Phil, Dinah, Merv, Geraldo, Regis, Oprah and Martha.

In the 90s, Bill guest-starred in TV’s Matlock, Hooperman and Cop Rock. His 1992 stints with Ann Blyth at the Dunes in Vegas and Rainbow and Stars in Manhattan drew raves from the critics (“Not only does Hayes still belt ‘em out, he can tap!”).

His more recent stage work has included Amadeus (1985), 42nd Street and Same Time Next Year (1987), La Cage aux Folles (1988), Harvey (1989), Oliver! (1993), Damn Yankees (1995), I Do I Do (1986, 1996 & 1999), Glad to Be Unhappy (2000), Mame (2002-2003), I Remember You (2005), Follies (2007) and Chicago (2008).


He guest-starred on Frasier in 2002, headlined The Palm Springs Follies in 2004. Bill’s 2004 CD is titled “This is BILL HAYES;” and his 2005 memoir, co-authored with his wife Susan Seaforth Hayes, is called, appropriately, Like Sands Through the Hourglass. He’s still talking about the thrill of doing a series of concerts (2009-2010) with jazz-great Dick Hyman in The Musical Magic of Hayes and Hyman. He and his wife have penned a historical novel, Trumpet, published this year by Decadent Publishing, receiving critical acclaim.

Hayes Websites:
www.billandsusanhayes.com



Twitter: @DaysHayes

Tune into http://www.blogtalkradio.com/theresachaze on November 8, 2012 at 1 pm eastern to listen to Bill Hayes share the experiences as an author, actor, and singer. The phone lines and chat will be available for those who wish to ask questions. The phone number is (347) 838-9927.

The interview will be available in the archives at http://www.blogtalkradio.com/theresachaze/2012/11/08/until-you-walk-the-path-you-wont-know-where-it

TRUMPET
Brilliant and sassy Elizabeth Trumpet fantasizes starring on the London stage, but to become an actress in 1803 is tantamount to losing her virginity in the most debasing way.
After watching her mother die and her father lose his mind, the courageous sixteen-year-old must find a way to save her family. She scores her first acting job as a fencer—the deadly skill she learned from her brother training for the military. Blessed with talent and a rare singing voice, Lizzie pursues her career, learning from theatrical characters high and low.
When reckless actor Jonathan Faversham sets eyes on Miss Trumpet, he knows he’s found the partner of his life. But Faversham carries ruinous baggage from a dark past. Entangled in lust and ambition, Lizzie gives him her heart and they reach the heights together. Until Lizzie gets more applause than he…
From the magnificence of Regency palaces and the Theatre Royal Covent Garden to the sun-baked pyramids of Egypt and the arms of a real-life Samson, Lizzie is never far from trouble. As her brother rides to glory with Wellington in the Napoleonic Wars, great events threaten her survival. Danger lurks behind stage curtains, when a madman sets fire to take her life and she lifts a sword in revenge.
Will this once innocent girl, with her rise to stardom, be remembered for her art? Or for her shame?



















Sunday, October 14, 2012

Gloria Loring: Coincidence Is God's Way of Remaining Anonymous




Until You Walk The Path, You Won’t Know Where it Goes is hosting author, actor, and recording artist Gloria Loring on October 17, 2012 at 1 pm eastern as she talks about her new book, Coincidence Is God's Way of Remaining Anonymous.

Gloria Loring is the recording artist of the #1 hit song Friends and Lovers; co-composer of television theme songs Diff’rent Strokes and Facts Of Life; an audience favorite from daytime TV’s Days Of Our Lives; spokesperson for the Juvenile Diabetes Research Foundation and the author of six books benefiting people living with diabetes; a keynote speaker; one of the few artists to sing two nominated songs at the Academy Awards, and is well-known in recent days as the mother of R&B singing sensation Robin Thicke.

Gloria’s new book, Coincidence Is God's Way of Remaining Anonymous, is a spiritual autobiography of how a series of extraordinary coincidences transformed her life. It is being released October 2012 by HCI, Inc., publisher of the original Chicken Soup for the Soul series. Coincidence helped her raise $1 million for diabetes research with the Days of our Lives Celebrity Cookbook after her 4 year-old son Brennan was diagnosed with diabetes; it arranged for a stranger to send her life-changing letters during her secretive separation and divorce from actor-writer Alan Thicke; and it led to the discovery and healing of long-forgotten childhood sexual abuse.

This is a book with its own soundtrack written by Loring. With these stories and songs, Loring provides insight into how each of us can use coincidence for our own good and the good of those we love.

Her keynote speeches have inspired businesses, health care organizations, spiritual communities and women’s groups. She brings her knowledge and enthusiasm to her keynote addresses, with the added bonus of a “glori-ous” song or two. Her most popular talks are Lessons From a Soap Opera: How to Drop the Drama; Expect a Miracle – I Do, I Did, and Here’s How, and A Whole ‘Nother Way to Be a Woman – Living From Your Thighs on Up.

Standing ovations greet Gloria in concert at performing arts centers, casinos and with symphony orchestras, as she toggles effortlessly from classic rock to standards, from Broadway to pop. Her newest musical show, TV Tunez,,is a celebration of television’s best theme songs that premiered to wildly enthusiastic audiences and is in development for a Las Vegas run. She is currently in the studio recording songs by songwriting legends such as Burt Bachrach and Desmond Child.

Gloria is a certified yoga instructor and an articulate champion of bio-medical research. She also has four additional books, Kids, Food and Diabetes, Parenting a Child with Diabetes, The Kids, Food & Diabetes Family Cookbook, and Living With Type 2 Diabetes: Moving past the Fear.

Gloria is listed in Who’s Who in America and Who’s Who of American Women. She has been honored with the Lifetime Commitment Award from JDRF and received the Woman of Achievement Award from the Miss America Organization, an honor she shares with past recipients Barbara Bush, Roslyn Carter, and Hillary Clinton.

Loring's website is at www.glorialoring.com

Amazon Link http://www.amazon.com/Coincidence-Gods-Way-Remaining-Intervention/dp/0757316484/ref=sr_1_1?s=books&ie=UTF8&qid=1349123588&sr=1-1&keywords=gloria+loring


To learn more about how coincidences led Gloria Loring to a happy, successful life tune into http://www.blogtalkradio.com/theresachaze on October 17 at 1 pm eastern. The phone lines and chat will be available for those who wish to ask Gloria questions. The phone number is (347) 838-9927.

The interview will be available in the archives at http://www.blogtalkradio.com/theresachaze/2012/10/17/until-you-walk-the-path-you-wont-know-where-it-goes





Monday, October 01, 2012

Coincidence Is God's Way of Remaining Anonymous




Until You Walk The Path, You Won’t Know Where it Goes is hosting author, actor, and recording artist Gloria Loring on October 4, 2012 at 1 pm eastern as she talks about her new book, Coincidence Is God's Way of Remaining Anonymous.


Gloria Loring is the recording artist of the #1 hit song Friends and Lovers; co-composer of television theme songs Diff’rent Strokes and Facts Of Life; an audience favorite from daytime TV’s Days Of Our Lives; spokesperson for the Juvenile Diabetes Research Foundation and the author of six books benefiting people living with diabetes; a keynote speaker; one of the few artists to sing two nominated songs at the Academy Awards, and is well-known in recent days as the mother of R&B singing sensation Robin Thicke.


Gloria’s new book, Coincidence Is God's Way of Remaining Anonymous, is a spiritual autobiography of how a series of extraordinary coincidences transformed her life. It is being released October 2012 by HCI, Inc., publisher of the original Chicken Soup for the Soul series. Coincidence helped her raise $1 million for diabetes research with the Days of our Lives Celebrity Cookbook after her 4 year-old son Brennan was diagnosed with diabetes; it arranged for a stranger to send her life-changing letters during her secretive separation and divorce from actor-writer Alan Thicke; and it led to the discovery and healing of long-forgotten childhood sexual abuse.


This is a book with its own soundtrack written by Loring. With these stories and songs, Loring provides insight into how each of us can use coincidence for our own good and the good of those we love.


Her keynote speeches have inspired businesses, health care organizations, spiritual communities and women’s groups. She brings her knowledge and enthusiasm to her keynote addresses, with the added bonus of a “glori-ous” song or two. Her most popular talks are Lessons From a Soap Opera: How to Drop the Drama; Expect a Miracle – I Do, I Did, and Here’s How, and A Whole ‘Nother Way to Be a Woman – Living From Your Thighs on Up.


Standing ovations greet Gloria in concert at performing arts centers, casinos and with symphony orchestras, as she toggles effortlessly from classic rock to standards, from Broadway to pop. Her newest musical show, TV Tunez,,is a celebration of television’s best theme songs that premiered to wildly enthusiastic audiences and is in development for a Las Vegas run. She is currently in the studio recording songs by songwriting legends such as Burt Bachrach and Desmond Child.


Gloria is a certified yoga instructor and an articulate champion of bio-medical research. She also has four additional books, Kids, Food and Diabetes, Parenting a Child with Diabetes, The Kids, Food & Diabetes Family Cookbook, and Living With Type 2 Diabetes: Moving past the Fear.


Gloria is listed in Who’s Who in America and Who’s Who of American Women. She has been honored with the Lifetime Commitment Award from JDRF and received the Woman of Achievement Award from the Miss America Organization, an honor she shares with past recipients Barbara Bush, Roslyn Carter, and Hillary Clinton.


Loring's website is at www.glorialoring.com


Amazon Link http://www.amazon.com/Coincidence-Gods-Way-Remaining-Intervention/dp/0757316484/ref=sr_1_1?s=books&ie=UTF8&qid=1349123588&sr=1-1&keywords=gloria+loring

To learn more about how coincidences led Gloria Loring to a happy, successful life tune into http://www.blogtalkradio.com/theresachaze on October 4 at 1 pm eastern. The phone lines and chat will be available for those who wish to ask Gloria questions. The phone number is (347) 838-9927.


After the show the interview will be available in the archives at http://www.blogtalkradio.com/theresachaze/2012/10/04/until-you-walk-the-path-you-wont-know-where-it





Sunday, September 19, 2010

Silas Kain's "Soap-osal"

Until You Walk the Path, You Don’t Know Where it Goes is hosting television critic and Soap Opera Advocate Silas Kain on September 19 at 5 pm eastern

Since the cancellation of Another World, Kain has been actively fighting to save daytime serials. As a fan and businessman, Kain believes his “Soap-osal” will not only revitalize the soap genre, but help local community theatres, the country’s struggling economy and the entertainment industry as a whole. His plan involves holding companies, whose products and services became successful because of the genre, and the networks, whose prime time programming was financially supported for decades, responsible to the genre and the fans, who make their financial success possible. In addition, SAG and AFTRA need to fully support all their members, not just those who work in prime time and film.

His plan proves a fresh approach not only to marketing the programming, but how the industry can revitalize itself by contributing and creating venues on the local level across the country. By reintroducing the Arts into high schools and supporting community theatres, the entertainment industry not only gives back for the decades of support, but it also creates new jobs and inspires people of all ages to believe in their talents.

Tune in at http://www.blogtalkradio.com/theresachaze on September 19 at 5:00 pm eastern to learn more about the Kain proposal and how viewers can become involved. The phone lines and chat will be available for those who wish to ask questions or make a statement. The phone number to call is (347) 324-3745. Skype is available by using the click to talk on the show page.

If you are unable to listen to the live show. It will be available in archives.

Sunday, August 29, 2010

What Can be Done to Save Our Soaps

Until You Walk the Path, You Won’t Know Where it Goes will be hosting one of the event coordinators of the “Save Our Soaps Rally”, Sue O'Konis on August 29 at 5 pm eastern.

The cancellation of Guiding Light and As the World Turns has caused the fans to band together. Originally, Sue O’Knois and other created websites, mailings and rallies to save their favor soaps. However, they quickly learned the entire genre was in danger of disappearing from their screens. Instead of giving up, they have expanded their efforts.

Tune in at http://www.blogtalkradio.com/theresachaze on August 29 at 5:00 pm eastern to learn what Sue O’Knois and the others at “Save Our Soaps 2010” The phone lines and chat will be available for those who wish to ask questions or share ideas. The phone number to call is (347) 324-3745 or Skype is available by using the click to talk on the show page.. The interactive chat room is also available.

Friday, May 15, 2009

Theresa Chaze's Website

My site was temporarily unavailable. It is now back up and the scripts for Days of our Lives or Operation Home Base are once again available.

Wednesday, April 15, 2009

Days of Our Live: Wedding Part 3

I finished Days of Our Lives alternative storyline, The Wedding part 3.

It's at http://elfmagic.blogspot.com/

Please let me know what you think. You are also welcome to share the link

Tuesday, April 07, 2009

The Fallacy of Soap Opera Ratings

The Fallacy of Soap Opera Ratings
By
Theresa Chaze

The cancellation of Guiding Light only proves that the network executives don’t understand their own industry. Soap operas are the only genre where they have a true monopoly. It is the single aspect of programming that independent and cable networks simply don’t have a way to compete. To say that the soaps were grandfathered into our lives is into an understatement. Before VCRs or DVR’s, viewers planned their schedules around their favorite TV shows, including soap operas. If they were forced to miss, they found a fellow addict to catch them up or waited for the rerun. Soaps by their very nature don‘t rerun episodes, therefore their viewers became the most loyal and reliable in the industry, making them also a consistent form of income for the networks with their own built in sponsorship consortium.

During television’s infancy, most people only had access to three stations. Competition for viewers was low in comparison to today. This was the era that soap operas were born and their fan base established. It was the guilty pleasure that no one would admit to watching, yet everyone knew what was happening. After school and on vacations, children watched and became addicted to the shows their mothers and grandmothers watched. It is a legacy of fond memories that the children of the 1960s forward have carried into their adulthood.

Although viewership has always been consistent and loyal, it has always been also under reported by Nielsen; people simply didn’t always want to admit they watched soap operas. Even through society and technology has changed, Nielsen’s way of reporting has not. They do not acknowledge delayed viewing, which has become the primary means of watching daytime programming for those who work from 9 to 5. Instead of upgrading their accounting systems to more accurate methods, they continue to use the diaries and equipment that fail to account for delayed or remote viewing.

This statistical over sight has made it appear that the genre is no longer an asset to the networks. This is far from the truth. One would only have to look at the popularity of the fan events, the merchandizing and the demand for interviews with the soap stars to see that their fan base is not only enthusiastic, but actively growing. Fans love their soaps and their stars enough to spend their time, their money and their energy on them. The peripheral businesses make hundreds of million dollars from around the world from fans that simply cannot get enough of their favorite soap.

Yet the sponsor and the networks look only at the ratings without putting them into proper context. The ratings of the past were higher due to the lack of competition for viewers. When the pie is only split three ways, all the pieces are bigger. Cable and satellite networks now give viewers more options for programming, thereby increasing the number of slices in the pie. So the question that must be both asked and answered is--are the lower rating for soap operas just a natural result of the increased division of viewers or is the genre run its course? As long as the comparisons aren’t made on a level playing field, the information they yield cannot be accurate. Before a network makes the irreversible decision to cancel a soap opera, thereby infuriating the fans base, it really needs to compare the ratings across the board for that day part. To do less could very easily cost them a valuable asset.

Tuesday, March 24, 2009

Days of Our Lives: The Wedding

I promised the fans at the NBC boards that I would finish with a storyline that most of them wanted but the show denied them. Tony and Anna's fans will particularly enjoy it. It's called the Wedding and will be in two parts.

http://elfmagic.blogspot.com/

Saturday, March 21, 2009

Days of Our Lives 3-21-09

Okay, I just finished the ghost story. There will be the final posting with the special event then I'm done unless I am hired as head writer. I have many more stories to share and adventures to send the characters on. I loved doing it and I'm grateful that you enjoyed reading it. Again the posting is at http://elfmagic.blogspot.com

I will be editing what I have into episodes and submitting them to the other soaps. There has to be one of them out there who still wants a writer who can create suspense, drama, romance and comedy, not just soft porn for teens and tweens.

Friday, March 20, 2009

Days of Our Lives 3-20-09

In spite of the deep hole the current writer have dug, I still want the gig. For the newbies, I've been writing alternative storylines for Days. For those, who have been following, Here is the newest post. http://elfmagic.blogspot.com/ Sorry it has taken so long. I'm almost done with the ghost story. For those who love and miss Tony, you will be pleased

Sunday, February 15, 2009

Days of Our Lives

Here's the deal. I am cleaning up and formatting the script that I have already posted into the correct format. I will be using it as resume material to get a writing gig on one of the other soaps. Although much of it will be familiar who have been keeping up, there have been a reshuffling of the scenes as well as some tweaking. Originally, I put little effort into the scrip, especially in the beginning. This better reflects me as a professional writer. However, since the program I am using doesn't have a spell check, there may still be some typos. If you see any, please let me know in the comments section. Thanks.


Episode on:
http://www.theresachaze.com/files/DOOLepione.pdf

Episode two: http://www.theresachaze.com/files/dayseptwo.pdf

Previously posted:


This is what I previously posted on the NBC Days boards not all of the posting are in the current proper format

http://geocities.com/tirgana/daysofourlives.pdf

http://www.geocities.com/tirgana/Days10-16.pdf

http://www.geocities.com/tirgana/days10-26-08.pdf

http://www.geocities.com/tirgana/days10-31-08.pdf

http://www.geocities.com/tirgana/days11-2-08.pdf

http://www.geocities.com/tirgana/days11-15-08.pdf

http://geocities.com/tirgana/Days12-2-08.pdf

http://geocities.com/tirgana/Days12-8-08.pdf

http://geocities.com/tirgana/day12-14-08.pdf

http://www.geocities.com/tirgana/days12-30-08.pdf


http://www.geocities.com/easternguardian/days1-20-09


If you like what you are reading and would like me to take over as head writer, please contact the following:

Corday Productions Fax number
818)840-4968
Production phone number: 818-295-2820

Sony Pictures owns the rights to Days
Michael Lynton
Chairman & CEO, Sony Pictures Entertainment

Amy Pascal
Co-Chairman, Sony Pictures Entertainment

Sony Pictures Entertainment
12102 West Washington Blvd
Culver City, CA 90232-3195
Phone: (310) 244-4000
Fax: (310) 244-2626
another phone line: 310-244-5722
NBC

NBCUNI.COM FEEDBACK
100 Universal City Plaza
Universal City, CA 91608
The GE Building at Rockefeller Plaza is NBC's corporate headquarters\
Phone: 212-664-4444. Fax: 212-664-4085

GE information
Jeffrey Immelt, CEO
General Electric Company
3135 Easton Turnpike
Fairfield, CT 06828
(203) 373-2211

Friday, February 13, 2009

Days of Our Lives: Honoring Francis Reid



To watch the video go to http://www.youtube.com/watch?v=C459kXlRgUQ

I have been writing characters studies about the Days of Our Live cast. Alice Horton is more than the matriarch of the Horton clan; she is someone who knew what was right and had the courage to do what was necessary to help and protect other. She was all about friends, family and community as was Days of our Lives. She knew that loving others through the laughter and tears is what truly makes life worth while. However, it is impossible to summarize Alice in a few paragraphs; instead I found one of her best examples of her work and produced a video.

Francis Reid has portrayed Alice Horton since Days went on the air. Her unique humor and since of drama has made her special to many of her fans who see her as the sister, mother, aunt or grandmother we wished we had. For the long time fans of Day, it is hard to remember the time when Francis and Alice didn't grace our screens, making us laugh and cry, but most of all teaching us the true definition of family. When the character was prematurely killed off 2003-2004, the outcry from the fans force the show to rewrite the story, proving that some characters and the actors who portray them are irreplaceable-unlike head writers executives producers.

Alice and Tom Horton, played by Macdonald Carey, were the original faces of Days. They represented the best soaps had to offer. After Carey's death of lung cancer in 1994, the show tweaked it's opening theme to remove his name. However, until this day the show opens with Carey speaking "Like sands through the hourglass, so are the days of our lives."

It is the continuity along with the strong writing, production values and excellent cast that created a fan base that best could be called die-hard at worse a little rabid. It has taken a lot to drive them away, but it seems Corday, Higley and Tomlin are about to reach their goal of letting the sands of time run out as the show rapid runs down the path to cancellation. Hopefully, Ms Reid has better things to do with her time and people loving enough around her to distract her from watching the travesty the three-some has turned her life's work into. It would make my heart weep, if she was to see how they have turned the show she loved into nothing more than soft porn for teens and tweens.

Monday, February 09, 2009

Days of Our lives: A Gift for the Fans of the Vets

Days of Our lives: A Gift for the Fans of the Vets
This is a gift for the fans of the vets. It takes place in the future after the ghost story has ended so don't trying to match anything up with it. It is strictly to prove that a creative writer can write for the vets. These scenes would be drawn out more. Please keep this in mind when you read "The Gift"

To read the beginning of this storyline please go to http://elfmagic.blogspot.com/

Sunday, February 01, 2009

Days of Our Lives

Here's the deal. I am cleaning up and formatting the script that I have already posted into the correct format. I will be using it as resume material to get a writing gig on one of the other soaps. Although much of it will be familiar who have been keeping up, there have been a reshuffling of the scenes as well as some tweaking. Originally, I put little effort into the scrip, especially in the beginning. This better reflects me as a professional writer. However, since the program I am using doesn't have a spell check, there may still be some typos. If you see any, please let me know in the comments section. Thanks.

it's at http://elfmagic.blogspot.com/

Saturday, January 31, 2009

Soap Opera Fans: Speak out to Save the Genre by Boycotting NBC

Soap Opera Fans: Speak out to Save the Genre by Boycotting NBC
By
Theresa Chaze


Like so many industries, television is financially top heavy with over paid executives, who suck up the profits while giving little or nothing back. The banking industry is a prime example of how those create nothing take the lion share of the profits, while those who do produce are asked to make financial sacrifices. Instead of taking across the board pay cuts, the television executives have decided to cut the quality and the diversity of their programming. By choosing amateur based “reality” shows over, those produced by talented and creative professionals, they under cut the unions, while disregarding the viewers.

In television, this can be best seen in the rapid movement toward the cheaper talk and reality shows. Using their declining revenue as an excuse, the networks are cutting production values of shows produced by professional casts and crews until such time as they are more financially secure. It is the equivalent of Taco Bell taking tacos off their menu until they sell enough burritos to make it cost effective to sell tacos again. Replacing quality product with cheaper doesn’t increase customer-viewer satisfaction; it forces them to seek other venues of satisfaction. As in all industries, the customer is always right or they become someone else’s customer.

Soap operas have been the hardest hit, not because they have lost popularity, but simply the modern family needs two incomes to survive. Originally targeting the stay at home mothers, the soaps focused on advertisers that appealed the needs of women, hence the name soap opera. However, one would only have to look at the highly profitable industries attached to soaps to learn just how loyal the fan bases are. The conventions, interview requests, and the multitude of websites are only a small example of industries, which have spun off the genre. Fans spend millions of dollars each year supporting hotels, conventions centers, and other fan events just to meet the soap opera stars.

As more women joined the work force, the popularity of soaps seemed decline. However it is the out dated ratings system failed to compensate for modern technology. Only those who watch the show live are counted by Nielsen Media Research. The system disregards any viewer who records and watches a show later. Instead of adjusting the viewer measuring system, the executives are using it as an excuse to cut the salaries of popular actors and creative technical people. They claim poverty while doing the equivalent of Merrill Lynch spending a million dollars to redecorate an office and giving out bonuses early. Instead of finding more efficient methods of accumulating viewer data, they are choosing to use it as an excuse to cancel soaps.

What started at Days of Our Lives has already begun to spread to the other soaps. The bad writing, the firing of major stars, while replacing them with talent-less younger actors, and the cutting production values is what is costing the shows viewers not the lack of interest. Loyal viewers are turning the channel not because they don’t love their show, but because they don’t recognize it any more.

It is time for soap fan to send a clear message to the networks. As in the movie, Network--it is time to stand up and say--”We are as mad as hell and we aren’t going to take it anymore!” The across the board boycotting of NBC for it’s systematic canceling the daytime soaps on it’s network will not only sent a clear message to them, but the other networks who might contemplating the same course of action. The only way to get their attention is to make them bleed in the wallet. Sending letters, emails and making phone calls no longer makes a difference; hit them at their bottom line and you start speaking their language. The power to control is seen on the television comes from the viewers' remotes, not the executives' office. It is time to for the fans to take their power back and demand that the soap opera genre be saved.