https://www.kaleidoscopefilmandtelevision.com/
#business #work #like #womeninfilm #womensrights #lgbtq #LBgtqcommunity #featurefilm #womenempoweringwomen #civilrights #TheresaChaze #CompletelyLoyaltoMe
https://www.kaleidoscopefilmandtelevision.com/
#business #work #like #womeninfilm #womensrights #lgbtq #LBgtqcommunity #featurefilm #womenempoweringwomen #civilrights #TheresaChaze #CompletelyLoyaltoMe
When a producer starts raising funds for a project, many people suggest crowdfunding. However, since celebrities have started using the already overcrowded platforms, it’s more difficult than ever to raise money. It has forced the teams to be even more innovative.
Crowdfunding campaigns have two goals: raise funds and create awareness of the project. Generally, the producers offer incentives to give something of value to the donors while pitching the project. Most incentives have little practical value. They are more thank you gifts, given to show gratitude to the donors.
Completely Loyal to Me is taking a different path to raise the initial production funds. Instead of gifting pictures, posters, mugs, etc, we have created T-shirts that promote all Indie films. We believe that each time an Indie film is produced and becomes successful, it makes it easier for the ones that follow to achieve the same goal. The shirts support Indie films as well as age, gender, and ethnic diversity. The project will receive nearly half of the purchase price. The shirts will be sent directly from the manufacturer thereby taking the production team out of the middle and speeding up the process. The shirts come in many sizes, two colors, and both short and long sleeves. The links lead to the purchasing pages.
https://www.bonfire.com/do-you-support-indie-film/
https://www.bonfire.com/supporting-age-gender-and-ethnic-diversity160/
Completely Loyal to me is a dark comedy feature film with the suspense of Hitchcock and the slapstick of the Keystone Cops. It is comparable to the Family Plot, Who’s Afraid of Virginia Woolf, Deathtrap, and Honey Pot. Its primary goal is to entertain. However, it will also serve as a reminder of what life was really like in the 1950s when rampant discrimination was the norm. A women’s right to personal and physical autonomy has been once attacked by those who have already stated that the LBGTQ community is next in line as they work toward turning the nation into a Christian Theocracy
Samuel and William James were twin flames who loved each other and were very happy until the rumors and grumblings started about their relationship. Margaret was the mastermind behind her and George’s cons. They traveled the world romancing others out of fortunes. Samuel married Margaret to shield his relationship with William James. She accepted, believing that he, like the others, would be an easy mark. When Margaret’s business acumen started the rumors that she wore the pants in the family, Samuel looked for a way to put her back in her place. He couldn’t let her go without exposing his secret. Instead, he tried to force George to leave. It was the mistake that cost him his life. Yet, even in death, Samuel continued to control Margaret. The terms of his will bound her to the estate and William James. Heartbroken, Williams James was forced to stay silent. He couldn’t expose the murder without their relationship being revealed. Stuck with each other, they agree to work together. When William James meets Lennette and Gary, he sees a way to free himself and get revenge.
If you believe that women have equal rights, support the LBGTQ community, or if you just think that many people need to learn how to mind their own business, please support our efforts to bring Completely Loyal to Me to the screens of the country and the world. Please visit our website to learn more about our project and how you can become an important member of our team as an investor or distributor.
https://www.kaleidoscopefilmandtelevision.com/
When it is impossible to be who you are, you become someone you are not. This is the core element of Completely Loyal to Me. The 1950s was a time of McCarthyism, segregation, and discrimination. People spied on each other, making it nearly impossible for a person to be their true selves even in private. When a person is forced to pretend to be someone they are not, they become vulnerable to others and their own dark impulses. However, the era was especially hazardous for women and the LBGTQ community. Women were considered property with little to no rights. To have any power in their lives, women had no choice but to lie and manipulate. Thought of as deviants, who were threats to society, gays were brutalized and murdered. To save themselves, both needed to hide their true selves or risk becoming social outcasts or victims of violence.
Completely Loyal to me is a dark
comedy feature film with the suspense of Hitchcock and the slapstick of the Keystone
Cops. It is comparable to Family Plot, Who’s Afraid of Virginia Woolf,
Deathtrap, and Honey Pot. Its primary
goal is to entertain. However, it will
also serve as a reminder of what life was really like in the 1950s.
Samuel and William James were twin flames who loved each other and were very happy until the rumors and grumblings started about their relationship. Margaret was the mastermind behind her and George’s cons. They traveled the world romancing others out of fortunes. Samuel married Margaret to shield his relationship with William James. She accepted, believing that he, like the others, would be an easy mark. When Margaret’s business acumen started the rumors that she wore the pants in the family, Samuel looked for a way to put her back in her place. He couldn’t let her go without exposing his secret. Instead, he tried to force George to leave. It was the mistake that cost him his life. Yet, even in death, Samuel continued to control Margaret. The terms of his will bound her to the estate and William James. Heartbroken, Williams James was forced to stay silent. He couldn’t expose the murder without their relationship being revealed. Stuck with each other, they agree to work together. When William James meets Lennette and Gary, he sees a way to free himself and get revenge.
We are looking for investors. We have started negotiations with a distributor, but nothing has been made official. Additionally, we are looking to product place a soda and
beer that was available in the 1950s and today. Each will be mentioned by
name at least twice, have at least 20 seconds of screen time, and have one of
their 30-second retro-commercials aired in their entirety. We would also
like to place a radio station with the same parameters. Its call letters
will be mentioned on-screen at least twice.
If you believe that women have equal rights, support the
LBGTQ community, or if you just think that many people need to learn how to
mind their own business, please support our efforts to bring Completely Loyal
to Me to the screens of the country and the world.
Another investor for the studio and the projects fell through. To be honest, I'm getting discouraged. It seems that it is easier to start a career than it is to restart one. I refuse to give up, which means the only thing left is to succeed. But I need your help.
"And thus, like the wounded oyster, he mends his shell with pearl"
Ralph Waldo Emerson
Romancing their way into fortunes, Margaret and George meet their counterparts only to learn the tragic reality of a cliché.
Margaret and George were a team, who used their considerable charms to romance others out of their fortunes. Margaret marries Samuel to inherit his millions only to learn after his untimely death that the terms of his will bound her to the estate and Samuel's manservant, William James. Changing their strategy, Margaret and George get married. Instead of traveling the world to find new marks, they use the mansion to lure. them into their web. William James reluctantly agrees to help. When he meets Lennetta and Gary, William James realized that he has found who he had been seeking. Manipulating the meeting of the couples, he moves forward with each believing that he is their ally. It is only when their cons come to fruition that they realize he has another agenda.
Networking and connecting can be extremely beneficial, except when it is done incorrectly. As beneficial as it can be, it can also be extremely detrimental to the brand or a person’s reputation. A profitable asset can be easily turned into a liability.
1. Don’t try to be anyone other than yourself
There is an old saying, be yourself, everyone else is taken. Being yourself means some people will like you and some won’t. A façade can only be maintained for so long; eventually, the real you will appear. Once that happens you will lose all the trust you have built because no one will know which person is real.
2. Don’t falsify or inflate your education, experience, or connections
It’s easy to talk big and make grandiose boasts, but there will come a time or situation when you will have to produce or follow through. Making excuses or ignoring what you said only kicks the can down the road. It only delays the inevitable. Eventually, you will be held accountable for your claims. If you can’t follow through or another proves your claims to be false, the result to your business reputation will be worse than if you said nothing at all.
3. Don’t over-share personal information
Learn how to read the room and the person you are speaking with. Some somethings are not meant to be shared with work associates, even if they are true. Becoming too “intimate” or oversharing even in the context or under the pretense of a joke is a recipe for disaster. It can lead to uncomfortable situations, which could damage your business reputation and lead to legal consequences.
4. Don’t be negative
There are ways to approach challenging times and difficult topics without being harsh or confrontational, especially when it comes to business relationships. How we speak to and about our bosses, co-workers, and clients matters. It sets the tone of those relationships from that moment forward. It’s impossible to always agree. Some disagreements are inevitable. However, choosing personal attacks instead of staying on the topic will never end well. Once said or done, it’s permanent. Apologies can be made and even accepted; what is forgiven, isn’t always forgotten.
Whether for a film or television project, the next step after the competition of the script is to break it down into its primary elements so that a budget can be generated. Although most script writing programs do automatically add some elements, such as the speaking character roles, each scene still needs to be manually checked so that the necessary information will appear on the reports. Without knowing who, what, where, and for how long, it is impossible to generate the budget. If done correctly, it will also collect and organized the information for the daily call logs.
The more detailed the breakdown of each scene, the more time
you will save yourself in the long run. Although
some of these elements will be filled with generic responses, listing them will
hold the place for the details to be added later.
Location
Each scene opens with the location bar that includes, the
place, interior/exterior, and day part of the scene. Although they are listed in the script, none
of this information will appear in the reports unless it is manually entered. Most places will host more than one scene; listing the general location with the specific
location and daypart will give additional details that will help determine how
many days will be needed for that particular area. By adding these details, it’s easier to group
scenes to cut down on was of time and energy.
Construction
Scenes that are filmed on a soundstage or at locations where
modifications will need to be done. Would
need to be noted in this category. Extra
time will need to be allotted for the building, setting, and striking the sets.
Electronics
Any special lighting, sound, or gadgets would be listed
here.
Set
dressing
Unless there are changes due to the script, the first scene will
be sufficient to set the standard for the entire project. Any modifications
would be needed to be noted and the scenes scheduled accordingly.
Props
Not every prop needs to be listed. Only the ones that are required by the script
or wouldn’t normally be found in the area.
VFX:
makeup; digital, sound, mechanical
Visual effects take preplanning and are time-consuming. Knowing what scenes and the specific effects are
required to accurately budget time and resources.
Characters
Most scriptwriting programs automatically list the speaking
characters; however, characters without lines will need to be manually entered
or they will not appear on the call sheets.
Crew
Most crews are set for the entire project and don’t need to
be listed. This section would again be for
the unusual or special crew members.
Wardrobe/Makeup/Hair
For continuity, these need to be listed according to the
placement in the script timeline not according to the shooting schedule. By listing them according to which day they
represent in the script, it’s easier to coordinate and account for the time
needed to make any changes.
Animals/children
Animals and children are unpredictable. Additional time will need to be added.
Anything out of the ordinary that will consume time or
resources
Having too many details is better than being caught off guard.
I will be using scenes from my project Never Can Say
Good-bye as examples.
Scene 8
INT. HIDDEN ROOM: DAY
Michael
shines the flashlight around the room. The beam hits the cracked mirror and
reflects onto a rocking chair. THE OBSERVER (camera showing the ghost's
perspective) WATCHES Michael. Michael tries to open the window; it's
nailed shut. SHANE SCOTT (A woman in her mid-20's who believes the world
is her toy.) WALKS into the doorway.
SHANE
(angrily)
What did you do? This isn't our house.
MICHAEL
(startled)
Amanda was happy I found it.
Shane
nervously walks around. The Observer examines her. She sees her image in the
mirror distort and morph; Shane screams and runs out.
Scene 8 Breakdown
-
INT.HIDDEN
ROOM: DAY
Character
* Michael
* Shane
* The Observer
Props
* Flashlight
* Bellows family
pictures
Camera
* The camera will
represent the ghostly perspective
* Drone camera
Location
* Bellows House
* Hidden room
* Afternoon
Set Dressing
* Table and chairs
* Full side bed
* Dressers
* Wooden rocking
chair
* Curtains on the
windows
* Bedding
* Family pictures
* Needlework
project
* Old book on the nightstand
* Rag rugs
* needlepoint samplers
* Virgin Mary
statue
* Angel statues
Wardrobe
* Women's clothing
from the mid to late 1950s
* DAY ONE
Greenery
* Ivy on the
outside of the window
Sound
* Door creaking
Electrics
* Drone camera
Crew
* Drone camera
operator
Optical FX
* The Distorting
image in a mirror
Scene 27
INT. LYNNE’S LIVING ROOM: NIGHT
Lynne and Elizabeth pleasantly chat
after dinner.
LYNNE
I only know
two ways to end a residue haunting. Change the energy by cleansing the
space or by destroying the anchoring object.
ELIZABETH
What you
think there it's residual, but there is actually a spirit.
LYNNE
I'm not sure
what happens. If they are ready to move on everything happens as it
should have in the first place.
ELIZABETH
What if she
or he wasn't ready.
LYNNE
Most likely
limbo.
ELIZABETH
For how
long?
Lynne shrugs.
ELIZABETH
(CONT.)
Wouldn't it
be easier to just move on?
LYNNE
It's not
that easy.
ELIZABETH
It is if you
let it be.
(Walking
to the window)
It's
beautiful here.
LYNNE
(Studying
Elizabeth)
This is my
favorite spot.
ELIZABETH
I can see
why.
LYNNE
This whole
neighborhood used to belong to the Ramsdell family. James wanted Rachael to
have the same luxury she had in New Orleans. The town just grew
around it.
ELIZABETH
It must have
been beautiful.
LYNNE
It broke
Amanda's heart to sell it. She had wanted the whole estate to become a
combination museum and public park.
ELIZABETH
Hard times
sometimes force hard decisions.
LYNNE
Amanda sold
the land to keep the Bellows House.
ELIZABETH
Why? It's
just a house.
LYNNE
It's a
shrine to Sara Jane and Randolph's love. That's why Audrey Bellows wanted
to destroy it. Amanda believes Sara Jane and Randolph will incarnate
here.
ELIZABETH
Come on.
Even if reincarnation was real, how would she know?
LYNNE
She says
she'll know. I believe her. But they better make it soon.
Last year we nearly lost her to a stroke.
ELIZABETH
I think I
saw her on my way here. She gave me the shivers.
LYNNE
She's a
strong lady.
LYNNE
(Holding
up the empty beer bottle)
Another?
ELIZABETH
(Still
looking out the window)
Please.
Lynne returns to the kitchen. Elizabeth
looks at the backyard. It transforms into the original estate.
RACHAEL RAMSDELL APPEARS. The distance between Elizabeth and Rachael
vanishes. Elizabeth becomes transfixed.
LYNNE
(Carrying
two more beers)
What's the
matter?
Lynne sees Elizabeth transforms into
Sara Jane. She drops the bottles. Elizabeth becomes herself.
ELIZABETH
(nervously)
I should go.
LYNNE
I'll walk
with you.
Scene 27 Breakdown
-
INT. LYNNE'S
LIVING ROOM: NIGHT
Character
* Elizabeth
* Lynne
* Rachael
Special FX
* The distance
between Rachael and Elizabeth collapses on itself until the women are standing
face to face.
* Backyard
transforms into front of Ramsdell house
Props
* Beer
Set Dressing
* Books
* Computer printer
* Fax machine
* Family pictures
* Rocking chair
* Living room
furniture
* Shelves
* Virgin Mary
statue
* Radio
* Television
* Magazines
* Knitting
Greenery
* Grass, trees,
shrubs, garden
Sound
* Radio playing
Location
* Lynne's House
* Original
Ramsdell estate
* Living room
night
Wardrobe
* DAY ONE
Optical FX
* Elizabeth
transforms into Sara Jane
In both examples, the scenes have been broken down into
their individual elements. This information
will be used to prepare the spreadsheet that will determine the number of shoot
days that will be needed to produce Never Can Say Good-bye.